|
Cheng Yong (程勇 born 1983 in Yingkou, Liaoning Province) is a contemporary Chinese painter based in Shenyang, North-East China. He graduated from (Luxun Academy of Fine Art ) which is one of the leading fine art academies in China. He now lives and works in Shenyang, China. Through personal perception, Cheng Yong deconstructs the real and rational life and reconstruct it in his paintings so to suit the purpose of his art. He prefers to assemble into an imagination-evoking illusory situation and images from different times and spaces and those between the old-fashioned and the fashion which are irrelevant to each other or which even oppose mutually. The expression both illusory and real and both false and true has created span in time and space to generate imagination, allowing the audience to drift between the illusion and reality, thus reaching the inner unity between the mental and the objective images.〔"Made in China-New Chinese Contemporaray Art Scene", Mountain Arts, Culture, and Education Foundation. ISBN 978-957-99981-9-2〕 Male protagonists in Cheng's paintings are mainly the artist himself, while female protagonists represent the image of the artist's wife. Be it standing, lying down, gazing at oneself or at the viewer, the portrayed characters interact silently with viewers in a subtle manner found exclusively in an Eastern context. By reflecting upon oneself just as one does in front of a mirror, Cheng perceives and explores his own identity and existence while revealing the detachment and loneliness of the general public in the digital era. ==Art Review== Merge between classical Realism and Eastern Impressionism Cheng's oil paintings express in an accurate and exquisite manner the traditional ambience prevalent in Chinese paintings. Recently, Cheng employed skills such as blank-leaving and made use of metaphors to take his works to the next level, transforming the appearance of an Eastern ambience into a more profound spirit found exclusively in the Chinese culture. This new style appears not randomly but is the fruits of the artist's awareness of and identification with his own culture. Just as Cheng said in his self-narrative, “I have endeavored to connect contemporary cultural phenomenon with local traditions in the past years to merge the two into one. This integration has repeatedly occurred in my works because I firmly believe that it is this kind of spiritual transcendence that will move and resonate with viewers. In turn, oil painting, originally a Western art, will now become a form of art which expresses one's thoughts and emotions." Cheng's perspective towards culture identity sets him apart from his counterparts. Different from traditional Western paintings, Cheng's works showcase his mastery of Realism and his subtle ways of expression, while elements integrating the past and the present, as well as the juxtaposition of conflict and harmony are manifested. These qualities accentuate the Cheng's uniqueness among the young generation of artists. Cheng's recent works Ending．Starting and Chinese Classic-Monkey on the Horse are both sophisticated interpretations of the spirit of Chinese culture. Cheng selected themes representing Chinese philosophy. The overall image of his paintings paid homage to Chinese calligraphy, as they included blank-leaving techniques, a new artistic style in contemporary oil painting. Images of Cheng’s paintings include classical elements, while real characters such as the artist himself or his wife were also portrayed. Cheng's ingenuity connects various elements representing ancient and contemporary cultures, creating an intriguing contrast between the past and the present.〔Sweet Breeze of Innocence in a World of Uproar and Chaos,Andre Lee,"Made in China-New Chinese Contemporaray Art Scene", Mountain Arts, Culture, and Education Foundation. ISBN 978-957-99981-9-2〕 Cheng Yong considers himself of great enthusiasm towards realist oil painting as well as addiction and persistence. He unfolds his world with realist oil paintings, while his solid realistic skills bring his artworks more convincing. He says in his autobiography, “For the past few years, I have been trying hard to combine the modern cultural phenomenon with local traditional culture into a whole disposition, which is common in my artworks because I consider it an essence beyond the paintings and sympathetic to the audiences. In this way, I take the oil painting from a western art form into expression of my own way of thinking and feeling.” It is the“essence beyond the paintings” that makes his paintings touching. After many years of study, what is amazing in his painting is not the superior technique, but the aesthetics and spirits extracted from it. There is a touching power in his art present with his vivid expression, amazing and catching, which highlights the unique advantages of art. The seemingly simple expression is actually punching us with the sense of loneliness, anxiety and hesitation.〔Gazing at Himself—— On Cheng Yong's Paintings by Lin Mingzhe-Catalogue of Cheng Yong's solo exhibition "Morning Glory"〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Cheng Yong」の詳細全文を読む スポンサード リンク
|